30 Days of Floyd, Day 1 - April 26, 1975

April 26, 1975

Los Angeles Sports Arena, Los Angeles, CA, USA

Welcome to the month of Pink Floyd, where I’ll be celebrating the 30-day countdown until the release of the Early Years box set. Technically, it’s 31 days, but I’ll be celebrating the 31^st day differently… maybe. I’m bad at commitment.

The plan is to look at 30 random concerts from Pink Floyd history, even going past the content covered in the Early Years.

The first concert is, actually, the best sounding audience recording available.

Pink Floyd - Sources of live versions (dates, songs, location, etc.)

The Pink Floyd Concerts

Looks can be deceiving.

Because none of these concerts were fully released.

One was fully released on film, one released minus encore.

The Monkees - Good Times (2016)

The Monkees

Good Times!

The Monkees’ Good Times! The first album of newly recorded material since 1996’s Justus. That’s right, The Monkees name is alive again for the fourth time (original run, Pool It!, Justus, Good Times!). And even Michael Nesmith joins us!

                Don’t forget that we’ve been getting a lot of unreleased material for the last 15 years, in Rhino’s deluxe edition releases (the last new album being the Summer 1967: The Complete U.S. Concert Recordings album in 2001, and the last re-issue being The Monkees in 2014). For some reason, no one asked for a Monkees resurgence, but here we are.

David Bowie - David Bowie (The 1967 Album)

David Bowie

David Bowie

1 June 1967

                Bowie’s first album has a very different tone than what you expect. It’s pop. A sort of baroque pop.

                It’s actually very hard to talk about this album seriously, due to its content and what came after it. That and I can’t even compare it to any other artists. No one but Bowie can do this drastic change of genre. Even ELO’s first band, The Idle Race, has the themes that continued into ELO. David Bowie the album is almost generic, but Bowie’s songwriting saves it.

                I think the right thing to say about this album is that it doesn’t fit. It doesn’t fit in Bowie’s catalogue, it doesn’t even fit in 1967 standards. Lyrically it does fit into Bowie’s catalogue, with some lyrics mentioning abortion and cannibalism and overall pushing the edge with storytelling.

                Bowie’s vocals are strange. I feel like he’s not putting as much effort into it as he would later, and it shows. Rubber Band is an exception, as Bowie’s vocals slowly become more powerful. He even yells off-mic to “play that thing!”  

                The album starts off pretty weak, but starting at Rubber Band it gets better. There Is a Happy Land has an enjoyable premise and We Are Hungry Men is the real Bowie trying to shine; more of a rebellious theme which just sounds silly in a baroque pop album. It does end in the best way; Bowie singing in the rain while digging a grave with no instruments in the background while he occasionally inserts an "oh god..." That's great. 

                I just think it’s weird that I don’t like this. I’ve got albums from bands like The Left Banke that have the same baroque style, and The Left Banke’s album Walk Away Renée/Pretty Ballerina was also released in 1967. But I’d take that album (with a name so generic that you’d think the songs would follow suit) over David Bowie (the 1967 album).

                But thank God he’s David Bowie, and there is something for everyone.

Overall:

                Generic 60’s pop sound with Bowie’s songwriting and voice. For me, it just doesn’t reach anything higher than average. Even after having this album for a while.

Highlights:

·         Rubber Band (because it’s how the whole album should be)

·         Love You till Tuesday (because it’s how the whole album also should be)

·         We Are Hungry Men (because the vocals are good and cannibalism)

·         When I Live My Dream (if you are like me and imagine Roy Orbison singing this song)

·         Please Mr. Gravedigger (because it’s perfect)

a-ha - Hunting High and Low (30TH ANNIVERSARY SUPER DELUXE EDITION)

a-ha

Hunting High and Low (30^th Anniversary Super Deluxe)

Released: September 18, 2015

                The average American music fan knows a-ha for Take On Me. The average UK fan might even know more. It’s been 30 years since the album that made a-ha pretty much a household name was released, even if they’ve been almost forgotten except for Take On Me. To celebrate, our friends at Rhino made a super duper deluxe edition of Hunting High and Low. Because that’s what Rhino does.

God I want to work at Rhino.

Grateful Dead - Europe 72'

                I decided to review an album, and the album would be chosen by the result of my music player’s shuffle feature.

                Today, it just so happened to land on Europe ’72 by Grateful Dead.

Subterranean Jungle

*This is part of my ongoing, personal project of listening to every Rolling Stones material released, posted onto this blog for everyone to read and for opinions to flourish. The rating doesn't mean much, because I hate ratings, but might as well.*

Alright well, thought I might do something for once for the site, so I decided to review Da Ramones.
Since they are the musical equivalent to Potato Chips, I've already listened to every album and feel like a whore for doing so. So let's start off at random, and by that I will pick Subterranean Jungle, from 1983. Why that album, well I just listened to it so might as well write about it.

Subterranean Jungle comes from a weird time for The Ramones, right after the godawful mess of Pleasant Dreams, the Ramones were at a miss, and really had no direction.So they got Ritchie Cordell, (who worked with and even wrote for Tommy James and the Shondells) and got back to a more hard guitar sound that was missing on their last two albums. While on the subject, I will say that the production is arguably the best thing about this album, the guitar sound is great, and feels like Johhny is cutting through my brain with his Mosrite whenever I listen with headphones on. There are also little touches to the songs that make them a tad bit more memorable than they would be without them. The drum sound, while hated by Marky*, is nice. I like the drum machine sound they got, I always liked the sound and I think it actually helps keep the relentless beat of the songs.

Also, it is worth noting that everyone in the band, except Johhny, was going through some shit during the recording of this album, since both Joey and Marky were drinking too much and Dee Dee was addicted to cocaine, among other probable drugs. So that is probably why Johhny had a large say in the production and sound of the album. But, let's cut the shit and talk about some Ramones.

1. Little Bit O' Soul
Well fuck me does the album start off wrong. I don't know, it's not bad, that's for sure, but the album just starts with a nice drum and bass combination, but really I do not think that starting with a cover was a good idea. That saying, I hold the same opinion for the next track, I Need Your Love, so I will not repeat myself.

3. Outsider
Alright now things are getting started, a nice little song with a nice bridge sung by Dee Dee. Simple G and A chords with a chord change at the bridge, but they make it work, but it's the Ramones, they always make simple songs work. None the less, this song was always a favorite of mine.

4.What'd Ya Do?
This was what I was talking about, with the whole drum machine thing, since they really push in a fuck load of 16th notes in certain parts, and the whole song is filled with a bit of anger, and betrayal.The guitar work is nice here, with the solos, that were probably not played by Johhny.

5.Highest Trails Above
So as someone who has had a serious problem with amphetamines in the past, I will say that this song encapsulates the dreamy immature haze that stimulants cast over one's brain. I don't know how to put it, or why I connected the song with this, but apparently Dee Dee liked the song, or someone did, because the lyrics to this song are on his gravestone. So kids, don't go past the edge of Disney Land.

6. Somebody Like Me
Well fuck me, I hear Blitzkrieg Bop in the opening, and that is not a good sign. The Ramones were usually good about avoiding direct self plagiarism, their songs may all sound the same but rarely do they directly copy the same song.

7. Pyscho Therapy
This is one of the songs that really got me into the Ramones, with it's break neck speed and insane music video, this song gets inside your head and never leaves. While the subject matter is a retread of mental illness, I am perfectly fine with it. You got a problem, don't listen to all of the Ramones albums then.

8.Time Has Come Today
Well, the guitar sound is nice, but this song is not the sweet jam that the Chamber Brothers wrote up. Though I would be remiss if I did not say that this song introduced me to the original version, so at least it did that. Also Marky did not play on this track, since he was kicked out of the band before they did this song so they got session musician Billy Rogers to do it, and did a nice job, so good for Billy Rogers.

9. My-My Kind Of Girl
The standard ballad for the Ramones, and usually I love their ballads, but this one is really forgettable, but it does have a nice acoustic demo, which is available on the CD re-issue of this album.

10. In The Park
I dig this song, it works well and brings up a swell of a chorus, and I think Dee Dee wrote this one about his own childhood, I've heard him in interviews talk about drinking bum wine and doing dime bags of heroin in the park around the time of Woodstock, which sounds like a dandy childhood.

11. Time Bomb
Well, Dee Dee sings this one, and hey, it even has a swell little oriental (Christ that sounds racist) sounding riff, It also melts at the end which is a nice little touch.

12. Everytime I Eat Vegetables It Makes Me Think Of You
A nice track to end the album on, and I love the odd title. I can relate to soviets taking away my girlfriend, the slut. But I do have to say I love the chorus, I am a sucker for F# to G sound, it just gets me hooked.

So over all, not the best Ramones album, despite my kind review. The Ramones played about half of these tracks live, and they played the ones I really like, so at least there is that. This is not one you need to listen to, that's for sure, but if you are a Ramones fan, I think you will dig it.

I guess I will give the album like, 5/7?

* I am getting this from the Wikipedia page for the album, I know legit right? I have heard Marky in interviews talk about hating the album, since I binge on that kind of shit. I know I have a problem.